All the world's a stage, Shakespeare famously wrote, and all the men and women merely players. Chandrasekhar Indla, drama faculty at the Academy’s theatre arts department, would take a dim view of such a simplistic description of a stage play. As director, lighting designer, sound technician, mask-maker and writer, Chandra has been a part of hundreds of performances and, talking to him, you would believe that the stage is possibly more than the world, and players perhaps more than merely men and women. “Drama is an important instrument that can build a sense of consciousness in society,” he shares. “There is a need to save and reinvent drama.” For over five years now, he has dedicated his career to introducing children to the world of theatre arts.

A prolific academic, Chandra was among highest scorers in the National Eligibility Test, an exam held nationwide by the University Grants Commission (UGC) which qualifies people to teach performing arts at a collegiate level. His work since his first tenure as a master’s student at the University of Hyderabad has been about introducing drama to a young audience. He was among the first members of the university’s Theatre Outreach Unit, created to expose children all over the state to theatre arts. He joined the Aga Khan Academy Hyderabad in 2015 to continue in this effort. “Our Academy is one of the best places where the teacher-student relationship is so strong in terms of respecting each other and sharing thoughts,” he says. Chandra, not a technical direcor for drama at the Academy, was very happy to teach at the Academy because the IB curriculum gives theatre arts the importance of a elective, rather than just tacking it on as a co-curricular activity as other school programmes do.

With two master’s degrees and a PhD on the way, Chandra surprisingly admits he wasn’t very good at school. In fact, he even struggled through his first degree, a bachelor’s in computer science. “I don’t remember any programming today,” he confides. Once Chandra relieved himself of his pursuits in technology and began honing in on theatre, his academic performance drastically improved. He finished his master’s in performing arts with a gold medal from the University of Hyderabad, and went on to earn two prestigious research fellowships from the UGC to write about theatre arts. These fellowships sustained him for nearly six years. “My family was happy to find out I was going to pursue theatre arts, because my paternal uncle is an author, and they thought he could help me.”

Chandra was born in Kanduluru in Andhra’s Prakasam district where his parents worked for daily wages, often at construction sites or in the tobacco fields of of the coastal district. “He was into old, traditional theatre arts,” Chandra says of his uncle. “Today I’m in national theatre festivals. I have more contacts than him,” he adds, laughing. Indeed, Chandrasekhar Indla has become a recognisable name in Telugu literary circles. This began when his final master’s project, a play adaptation of the book Gopathrudu by K.N.Y Pathanjali, became a sensation in theatres across Andhra Pradesh (before the creation of Telangana State). He followed this with another adapted play called Miss Meena, based on the tragicomedy The Visit by Friedrich Dürrenmatt. Ms. Meena was performed over a 100 times statewide, earning Chandra a reputation as tested thespian. Apart from this, Chandra has also spoken and presented about Telugu theatre at international conferences.

“As a professional admirer of drama I would like to hand over the future of drama to the students to take it further,” he says. Since his joining the Academy, our students have held performances across the city, attended several festivals and plays, and most notably, entered the Amaravathi National Theatre Festival in 2017. “I had the freedom to run and develop the department,” he says of being the first drama teacher at the school. “I have used this freedom to develop the students’ abilities in acting, communication, confidence, creativity and thinking skills.” With the addition of George Macpherson to the drama department as of August 2018, the programme has only gained in strength. “We’ve built a whole new teaching strategy together,” Chandra says of his friend and colleague George. “As a practioner, I'm more comfortable teaching the the practical aspects of theatre, whereas George is very good at teaching theory."

Inevitably, Chandra went from adapting literature to the stage to creating literature himself. As of date, he has been published in Telugu literary magazines 12 times, and has a collection of short stories on the way. One of the major motifs in Chandra’s writing is social equality and social reform. At the Aga Khan Academy Hyderabad, where pluralism is one of the tenets of the school’s ethos, Chandra is a person students can look up to who shows these values in his work and personal life. Chandra met his wife Ezhilmathi in 2009 when they were doing their master’s of philosophy in performing arts at Pondicherry University. His area of focus was drama while hers was music. “She taught me Tamil,” he says, “I think that’s where it began.” The two had to convince their parents before they could get married. “My marriage is inter-state, inter-faith, inter-caste,” he laughs. In August 2012, Chandrasekhar and Ezhilmathi were married in a wedding with both Hindu and Christian rituals.

“Drama can build self-confidence in a person. However, most people do not have proper understanding or admiration of drama,” Chandra says. Looking out of his office window at an overcast December morning, Chandra’s thoughts about his art turn bleak. “No one reads scripts,” he says of the culture of literature in the subcontinent. “People will just read Shakespeare as a play, but that is not the case for Telugu literature.” The shields and trophies on his desk gleam in the wintry light. “Maybe this culture of drama will die out one day."

Though the thought is dark, Chandra doesn’t let it get in the way of his work, and rather uses it to fuel his work as a teacher. He knows that many of his students will go on to pursue, say, computer science, but that doesn’t deter him. “I want my students to be good humans who are not only responsible but also sensitive to others’ emotions and culture. Drama needs to be handled more as a legacy and its nuances need to be inherited and passed on generation after generation. This is possible only when I take up the role of a teacher.”

Written by Ajay Sundaram

My four-year journey at the Aga Khan Academy Mombasa came to a close at a much faster pace than I am comfortable with. With graduation having recently taken place, I can’t help but look back at the immense growth I have undergone personally, socially and intellectually during my time here.

The prospect of joining the Academy had always sat passively on the horizon – I had cousins pass through the Diploma Programme here long before me, and a sister who soon planned to make the shift. So, at the age of 14, it didn’t come as much of a surprise when my parents suggested I move with her.

Leaving the comfort of my home and the company of friends with whom I had spent my entire academic career proved a lot harder than I anticipated. Coming from Dar es Salaam, Tanzania, I faced less of a culture shock than many incoming students I would interact with over the years, but this didn’t soften the blow of finding myself in the middle of an entirely new education system. Here I was, an anxious teenager who had long since associated learning with the contents of a textbook, now being introduced to criteria, conceptual understanding and inquiry-based learning, all of which seemed like another language to me. Like most who have been in my position, I felt alarmingly overwhelmed by the sheer magnitude of responsibility I had to take, both for my learning as an MYP (Middle Years Programme) student, and my well-being as a residential student.

I was lucky enough to have a dorm parent that year who was very perceptive to these challenges, and through her support, and that of several of my class teachers, I was able to integrate relatively seamlessly into life at the Academy. I was particularly struck by the attitude towards learning harboured by my peers, many of whom viewed it as a communal effort and helped me adjust to the new system. This culture of intellectual humility is something that I am honoured to have been able to contribute to over the last 18 months, by tutoring MYP students in subjects I found particularly challenging in the programme.

True to the school’s mandate to develop holistic individuals, I was encouraged to join several extracurricular activities, which empowered me to pursue my passion for learning and service. One of these was a community and service group called Learn and Earn, which operated under the residential programme’s weekend activities. As the coordinator for logistics and communication, I helped organise weekly sessions with students from a nearby school where we carried out activities to promote life skills, as well as sell food items that we had cooked together to raise funds for the renovation of their school’s kitchen. This was my first experience with planning and executing a project of such a scale, and it increased my interactions with members of both the school and the surrounding communities. That same year, I was encouraged by my biology teacher to participate in the 2015 Golden Climate Olympiad where my project on cost-effective biogas digesters earned a silver award.

Two years later, I drew on my experiences as a younger, and newer, student at the Academy to fulfil my role as a Dorm Captain. I have viewed this opportunity as one of my greatest ways of giving back to the community I have grown so much in. In addition to organising orientation activities and events for the residential community, my role has required me to serve as a bridge between the students and the teachers. In considering the perspectives of both parties when discussing administrative issues, I have developed a deeper understanding of the importance of good communication and empathy. By playing a coordinative role, I have been able to engage directly with the sheer diversity of the school community. Interacting with individuals of various backgrounds and opinions has taught me the importance of engaging in open-minded and meaningful dialogue, which has enabled me to broaden my horizons. As a student leader, I have come to appreciate the importance of respect for individuals not because of the authority they hold, but simply because of the fact that they are people, a value that resonates strongly with the Academy’s vision.

Learning to balance these responsibilities and my commitments to other extracurricular programs with the demands of the rigorous International Baccalaureate Diploma Programme has stretched my abilities to manage and organise my time. Most of my courses have involved an extensive amount of critical thinking and have taught me not to look at academic subjects as separate entities. This has in part been catalysed by my Extended Essay on the economic implications of stroke, which focused on biology and economics. As a result, I have been able to make more meaningful conclusions from my learning, and to question things better. I am particularly grateful to my English teacher, whose classes stimulated thoughtful discussions about our world and why things are the way they are. Such platforms have been abundant in my time at the Academy, giving me the opportunity to voice my opinions, take on issues that I am passionate about and to develop a strong social conscience that has helped shape my identity.

As I consider what life will be like after graduation, I find myself saddened by the fact that I will soon be in a new environment without the strong network of support from teachers and students I have built here at the Academy. To these people, and my family of course, I owe not only my intellectual growth but also the strong sense of self I have developed. These are things that I hope to carry with me as I move on to pursue a degree in Global Affairs at Yale University, now with a larger family, concentrated in a region of the world I look very forward to coming back to work in.

By Kamila Janmohamed